The “witch house” moniker was penned by Denver-based electronic musician Travis Egedy (a.k.a. Witch house, the electronic, micro-genre best known for dark, sonic landscapes littered with stuttering drum machines and its pitched-down, reverb-soaked vocals, ruled the underground music scene, even if just for a moment. Deep in the digital catacombs of the Internet lived a corner of music you’d hardly remember, let alone find, even with a map pointing you directly toward it.
